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Bloomingdale's began with a 19th century fad,
and the extraordinary vision of two brothers.
Lyman and Joseph Bloomingdale pioneered
nearly every major change in the evolution of
department stores - if they weren't the first with
an idea, they simply did it bigger and better than
anyone else. Their innovative retailing
philosophy guided Bloomingdale's in its
beginning and that strategy continues today,
justifiably earning Bloomingdale's the reference
"Like No Other Store in the World."
The first retail endeavor of the Bloomingdale brothers was
a Ladies' Notion Shop in New York. In 1872, Bloomingdale's
expanded and opened their East Side Bazaar, selling a
variety of women's fashions. This was a bold move in the era
of specialty shops; the Bazaar became a harbinger of the
true "department store."By 1929, Bloomingdale's covered an
entire city block.
Two years later, the glamorous Art Deco edifice that still
graces Lexington Avenue was completed. In 1949,
Bloomingdale's began its real expansion, opening its first
satellite store in Fresh Meadows, Queens and by 1959,
Bloomingdale's had created a complete circle of stores
around the flagship, in New Jersey, Westchester County and
Long Island. This dramatic growth continued in the '70s and
'80s with the opening of stores in the Northeast, Florida, and
Chicago. Bloomingdale's was on its way to becoming a true
national entity. That vision culminated in 1996 with the
addition of its first four stores in California, the most
ambitious expansion in the company's history, followed by
two new stores in the Atlanta market in 2003.
From the beginning, the Bloomingdale's brothers catered
to America's love of international goods, and by the 1880s,
their European selection was dazzling. A buying office in
Paris in 1886 was the beginning of a network that now spans
the globe. The 1960s brought promotions resulting from
Bloomingdale's fascination with the foreign market: the first
was a small affair called "Casa Bella" featuring merchandise
for the home from Italy.
Over the next 30 years, the promotions took on a grand
scale - including unique merchandise and cultural exhibits
that would touch every department in Bloomingdale's.
Major transformation of the Bloomingdale's image came in
the 1960s and 1970s. The promotions were so exciting that
the term "Retailing as Theater" was coined to describe
Bloomingdale's "happenings." It was the era of pet rocks and
glacial ice cubes, of visits by movie stars and royalty, from
Elizabeth Taylor to Queen Elizabeth II.
The new direction in merchandising was both to seek and
to create. Buyers covered the world to find exclusive, one-of-a-
kind items. When they couldn't find what they wanted,
they had it made. In fashion, Bloomingdale's launched new
designers and created boutiques for already-famous names.
Among the discoveries: Ralph Lauren, Perry Ellis and Norma
Kamali - and for the first time in America: Sonia Rykiel, Kenzo
and Fendi ready-to-wear. Designers opening their first instore
boutiques at Bloomingdale's include Yves St. Laurent,
Calvin Klein, Claude Montana and Thierry Mugler.
In 1961, Bloomingdale's made retail history in yet another
area by introducing the first designer shopping bag. Artist
Joseph Kinigstein was commissioned to create a bag for the
"Esprit de France" promotion. Rather than doing the obvious
- ladylike flowers in pastel colors - he reproduced antique
French tarot cards in bold red, black and white. Most daring
of all, the bag omitted the store name. Even so, it was
unmistakably Bloomingdale's, and the collector's shopping
bag was launched. Since then, both famous and fledgling
artists, architects and ad designers have created
Bloomingdale's bags. Their designs have been featured in art
museums all over the world. In 1971 "model rooms,"a
highlight of Bloomingdale's since 1947, gained worldwide
attention. "The Cave," an intricate multi-level frame sprayed
entirely in white polyurethane, was a spectacular example of
the lengths to which Bloomingdale's would go to make a
statement of style. Over the years, the model rooms have
been showcases for the talents of everyone from architect
Frank Gehry to filmmaker Federico Fellini.
During the 1970s, Bloomingdale's was a favorite stop of
the international avant-garde, epitomized locally by the
"Young East Sider" who lived right in the neighborhood. In
1973 the store wanted to stamp the Bloomingdale's name
on panties to launch an intimate apparel promotion; they
chose the company nickname as a nod to the young, trendy
crowd, and the "Bloomie's" logo was born. Soon, New Yorkers
were affectionately
referring to the city's
second most popular
tourist attraction after
the Statue of Liberty
as "Bloomie's" and the
hottest souvenir in
town was anything
emblazoned with
"Bloomie's."From the
late '80s to the
present, the economy
and retailing changed
- thus changing the
buying habits of consumers. As usual, Bloomingdale's kept
up with the times, and prepared for the future. Today, there
is an increased emphasis on building customer services and
relationships, while continuing the unique and exclusive
aspects that made Bloomingdale's world famous.
With a reputation for quality, creativity and uniqueness,
Bloomingdale's has remained at the forefront of retailing
worldwide. Bloomingdale's speaks to its customers in a
language they understand: service, selection and fashion,
making Bloomingdale's "Like No Other Store in the World."
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